Showing posts with label Holestar. Show all posts
Showing posts with label Holestar. Show all posts

Monday, 7 June 2010

'I know how it starts, and now I know, I know how it ends …' Adventures, Part 1

Four consecutive Tuesday evenings I bus down to the lovely Folk café bar on Burton Road, West Didsbury for pearls of wisdom from Mr Dave Haslam on the art of music writing. It’s genuinely enlightening, not to mention great fun and a bit boozy too, just like all the best things. Some great tips to be had from Dave with some lovely people in attendance. The suburbs ain’t so bad you know. Plus Katie lives up the road and has two brand new kittens which are worth the trip all by themselves. Cute!


Foals

In the midst of that, Foals play a storming gig at the Ritz. I’m so glad the Ritz is back as a proper music venue, it’s like having a miniature Apollo in the middle of town, right on my street in fact. Foals’ new material sounds really good live, a party atmosphere pervades for such serious boys. The beautiful Yannis runs through the crowd with his guitar at one point and ploughs right into me. No injuries sustained alas. My gig review will appear in the Folk in-house zine soon, eyes peeled.

The Ritz

Later that week we’re blessed with a beautiful sunny day for the christening of little Sebastian. Sebbie is the second wee lad belonging to two dear friends from school. I have one of those huge temporal jolts at how much time has gone by, followed straight away by feelings of gladness that we’ve managed to keep our friendships alive. Some friendships I’ve let fall away for one reason or another, a couple I had taken away when I wasn’t ready to let them go, others still I don’t seem to find time to invest in, though I always mean to. To have friends you met aged nine, eleven, sixteen, twenty-three, and to see them all together, changed a little bit or a lot, married or not, kids or not, living in France or not, yet not one of them grown up, not really, it’s just lovely. It’s an honour, actually.

Knott Bar, Manchester, England

The following Friday sees another raft of friends, old, new and fabulous, assemble for drinks at the Knott followed by an impromptu trip to the tirelessly brilliant Clique where we catch the last part of the Aeroplane DJ set. They’re the most exciting thing in the world right now aren’t they? Look! Listen! See!?

Despite the good times, and maybe a little bit because of them, I’m a few days into a low spell come Sunday. It’s not just the bell jar this time, things have changed in my life somewhere I didn’t want them to. I’ll not go into it. Meh. Whatever, I get positively choked watching hundreds of people cross the finish line of the Manchester 10K run. The spectators are all so proud, proud and smoking fags and eating hotdogs, which is hilarious. I feel like a slovenly hungover donkey watching Joff sail past the finish line under the hour mark. I wanted to be there to wrap him in tinfoil like they do on the telly but I just yelled instead. Go Joff!

The mighty Sleigh Bells

Sleigh Bells play The Corner in Fallowfield and unless Queen Morrissey himself makes an appearance I shan’t be gigging there again. Don’t get me wrong, the band are amazing, I’m actually going to BUY the CD they were that good, it’s just we didn’t see any more of them than the singer’s bangle. It’s the wrong wrong wrong place for a gig. Admittedly we weren’t so mashed this time that we could fight to the front, kidnap the band and molest them. Ahem. Neon Indian played a lush, psychedelic support slot and even spoke to the audience. No idea what he/they looks like though. No matter. Sleigh Bells, get on it, right away.


Everything Everything 'Weights' Live on Channel M

Two days later it’s back to the Ritz to catch Everything Everything play a support slot for the popular beat combo Delphic, who I don’t really get. Is it the best EE gig I’ve seen? It just might be. ‘Tin’ is absolute angel food tonight, sublime and effortless. ‘Weights’ is the song of theirs which sealed the deal for me, one day it will be considered a great British classic,. It’s mine and Katie’s song too so it’s all kinds of special. When they close the set with it this evening, Jeremy Everything, bass giant and compadre, says, ‘Thanks to everyone for coming down to see us, you’ve been lovely. This is our last song of the evening. It’s called ‘Weights’ and we’d like to dedicate it to our friend Greg.’ Blub. At the end of a week of trying to keep the dark away, it was like being handed a little candle. Thanks boys. I trip off to Bollox vs. Pussy Faggot with a spring in my step and wig out to Larry Tee and Holestar and count my blessings once again. Dance dance dance.



Amazing Chat Roulette promo video for Holestar's 'Nylon Woman' single

Wednesday, 10 March 2010

Old, New, Borrowed, Blue …

Old …

Walking down Oxford Road this morning my MP3 player plucked Kirsty MacColl’s ‘Innocence’ from the depths and my God if it didn’t feel like a breath of fresh air on that dirty old road. As I said to my friend, I wanted to line dance and cry all at once. The video is here and if you think I can get enough of that banjo you're quite quite wrong.




My first brush with the desperately missed Ms MacColl was watching her do ‘Fifteen Minutes’ on French & Saunders in 1989 or 1990. She was wearing a Happy Mondays T shirt and playing her guitar and it all was so effortless with her smart, convoluted lyrics and typically understated voice, just gorgeous. I had it on video for ages. An act of criminal negligence means nobody has posted that particular performance on youtube or elsewhere, at least I haven’t been able to find it, so here, surprisingly, is Cerys Matthews having really quite a good stab at things (before Jools comes along and honkys all over it of course…)





The lyrics are a poem unto themselves, see here:

Seven times in seven days
I've sat and wished my life away
I know the greyness comes and goes
But the sun don't shine
And the snow don't snow

There's Suzy-Ann with her tits and curls
Where mediocrity excels
For those vicious boys and their boring girls
You know it makes me sick but it's a bozo's world

Then there's always the cash
Selling yourself for some trash
Smiling at people that you cannot stand
You're in demand
Your fifteen minutes start now

City banker looks are in
The heartless heart, the chinless chin
And you'd spill your beans for just a pint of gin
How you got so holy
And became so thin

In Sunday papers every week
The silly words you love to speak
The tacky photos and the phoney smiles
Well it's a bozo's world
And you're a bozo's child

Then there's always the cash
Selling yourself for some trash
Smiling at people that you cannot stand
You're in demand
Your fifteen minutes start now

Then there's always the fame!
Autographs now and again
People who saw you on Blankety Blank
Or in the bank
Your fifteen minutes start now

Warhol and Morrissey could not have said it better. Kirsty was mistress of the re-vamped cover version and sang, to my mind, two of the saddest songs ever recorded, namely ‘Fairytale Of New York’ and ‘Dear John’, which you must never listen to anywhere near a break up.

My favourite Kirsty song of all is the title track from the underrated Titanic Days album (“'Dream on', he says, ‘dream on’ he always says ...”) but I’ll leave you with this classic country ballad. Wry, sad, tough, worn out and fabulous; it’s what she did best.





New …

Now this is interesting. Broken Bells are Brian Burton, whom we know better as Danger Mouse of Grey Album fame (and more of whom later), and James Mercer from The Shins. What could possibly go wrong? Jack shit judging by their first album, click here for Spotify.



It’s an instantly likeable mix of under-your-skin melodics with sad little surprises at every corner, you can even dance to some of it. If you like Cut Copy or Santigold or Hercules and Love Affair you’ll probably like it. Gets better with every listen, go and play it now. Mercer is currently on sabbatical from The Shins, if things keep going this well he might never go back.


Borrowed …

Some people become popstars and some popstars emerge fully-formed from their shells like Venus. Holestar is the second kind of popstar. Her resume sounds like some gorgeous night time butterfly eccentric you’d expect to meet at Billy’s or The Blitz, check it:

“As well as a former solider in the British Army, Holestar is a Central St Martins Fine Art Masters graduate, club promoter, DJ and cabaret artist. With a multitude of performances across Europe, New York, Glastonbury and Loveboxx Festivals, Royal Opera House, ICA, V&A, Vienna’s Life Ball and every London club of note under her belt, Holestar really knows her crowds.

© Adrian Lourie 2010

NyLon Woman, an original electro-pop hands-in-the-air floor shaker, has already been getting audiences jumping. Quite literally. A recent performance of the song at Johnny Woo’s rammed Gay Bingo saw Holestar share the stage with an invasion of trannies whooping and hollering for more.

Holestar’s musical inspiration covers underground disco, early house, ‘80s pop music, British rave and modern electro. Art, comedy and alternative performance also feed her creative juices. Behind two of London’s recent successful club nights (Hot Mess & Lets Get Quizzical) she opens with NyLon Woman to take the party to a wider audience, inviting everyone to raise their hands and dance.”

She’s a girl playing a trannie, it’s like Shakespeare meets downtown New York! 'NyLon Woman' is a fab little ‘lectro gem, listen to it while you can here and be uplifted, the Piers remix especially has me chair dancing while I'm trying to type. Good work.



Blue …

The first Sparklehorse song I heard was back in 1998 and was called ‘Hundreds Of Sparrows’ and it sounded like this …



I sort of skipped over them in my hurry to get to Elliott Smith. Mark Linkous and Smith had a lot in common as songwriters, and now they have one more thing in common because Mark Linkous has sadly, very sadly, killed himself.

As with Elliott there is some un(officially)released material that Linkous recorded with Brian Burton and David Lynch and a host of other quality musos, read about it here.

I’ve been listening to the first album, vivadixiesubmarinetransmissionplot and there are little refrains that I remember from years without listening to it, they are such beautifully crafted songs. It’s a terrible loss. God bless you Mark.