Showing posts with label gay club. Show all posts
Showing posts with label gay club. Show all posts

Tuesday, 30 October 2012

HomoElectric: The final party at Legends




Back when I lived in Chorlton I rode the 86 bus every day, like you do, and there would always be this same handsome guy on the bus and a look would always pass between us. Nothing ever came of it. One day he started riding the bus with his girlfriend. He always sat with his arm wrapped around her and he still gave me a look but this one was sort of proprietorial, almost smug.

Meanwhile, back in the unreal world, I was a clockwork-regular at HomoElectric. It was actually unthinkable to miss one of their parties. We planned holidays and days off around them. It was the crown jewel of a tiny clutch of unmissable nights that also included Club Suicide and Chips With Everything. From there I was eventually taken to Electric Chair and Mr Scruff, and when Scruff played his fantastic set at HomoElectric it was a perfect full-circle of music and good times.

Anyway, I digress... Another regular at HomoElectric at the time was a young, spindly Black queen; he was camp as anything, exceptionally mouthy and brilliant. You could usually hear him coming a mile off, except for this one night when I was just getting into the zone and I backed into someone on the dancefloor. I turned round to say my apologies and there was the queen, full on face-pashing with the hot guy from the number 86 bus. Bus guy looked at me with a mixture of guilt and discomfort, but I just smiled and waved and kept on dancing. It was no big deal, it was a total HomoElectric moment, and there were loads of them.

It was all electroclash round here in them days. We saw My Robot Friend, WIT, Readers Wifes, plus a so-bad-it-was-actually-kinda-fun PA from Siobhan of Bananarama/Shakespears Sister. She did her version of ‘White Rabbit’ by Jefferson Airplane. Surreal. I might’ve worn a Blondie T shirt the first time I went there. One night I wore a bottle of poppers round my neck on a shoelace. I think I’ve kept most of the amazing atrocities I showed up in. There was a brief sweatband and rubber bracelet fetish. Then home-made graffiti tops. Things went a bit Nu-Rave for a while too. There was lots of asymmetric hair at one point and that amazing blonde lesbian who always danced in a sports bra. Some guy did full face make-up in the toilets for me one time. It lasted about twenty minutes out on the dancefloor.

I cringed at the name ‘HomoElectric’ at first. I was only just out and I hated the word ‘Homo’. Now I only ever call it ‘Homo’. No cringe. I’ve been out ten years and I’ve been dancing at HomoElectric for all of them. For a time, HomoElectric was the best kept wide-open secret in town. One morning – post-Homo at a late night gentlemen’s establishment – I met up with a DJ from Essential who asked where I’d been for the night. I couldn’t believe he’d never heard of HomoElectric. Sometimes you’d be shocked at who did know about the place, even though it was always rammed. (‘Oh my god, you’re here...?’) I met my first boyfriend and my new boyfriend in Legends. I still can’t believe they’re letting it close.

There were so many good HomoElectric stories. One night my then boyfriend leaned on a spotlight in a mesh shirt and had grill-shaped burns on his back for weeks. It once took me five minutes to walk the four steps down to the dancefloor because I thought the shadows were holes in the ground. I think Davey Dobson got me to safety in the end. Thanks Dave. When I moved into a flat just up the road from Legends, I jogged home in the middle of the night more than once to get changed, or take a shower, or replace a shirt that I’d lost. Seemed like a good idea at the time I guess. More than once I got home without any shoes on, one time even in the snow. Somebody piggybacked me. I’ve no idea who. I remember the night everybody must have done their shopping at the same place. Everyone came up like billy-oh, they were queuing up to explosive-puke on a pile of plastic chairs down one of the corridors. We sat on the stairs laughing like goons and then we danced for five hours without a rest. A couple of times on a Sunday you’d spot a familiar shirt or dress out on the streets of the city centre. It would be somebody still pin-balling to or from another party that was actually the tail-end of Friday’s HomoElectric.

There was so much good music. It was an education. Erol Alkan stripping everything down to brass tacks, including us. Ivan Smagghe doing crunchy monochrome death-music in near-darkness. The majestic Mark Moore, who I’m pretty sure shoe-horned ‘Song 2’ into some unbelievable mix or other. Fischerspooner, Gwen Guthrie, Sebastien Tellier, Chaka Khan. The residents themselves were and are solid gold.

The rules of the rest of the city seemed to perceptibly lift when you walked down the steps into Legends for HomoElectric. The placed heaved with the ghosts of parties, from the Twisted Wheel up to the leather bears down-and-dirty get-togethers. You could often kiss your mates goodbye at the door, it was possible you might not see them again that night but there were always new friends to be made. ‘You can learn a lot more than you think about somebody on the dancefloor,’ a clever woman once said.

All good things must come to an end though, and they did. I remember dancing with Matt Rothery at the last closing party. ‘They’ll be talking about this for years to come,’ we said. ‘And we were there...!’ 

HomoElectric will live on, in Manchester some place, and London too, but nowhere in the world will match HomoElectric the way Legends did, the way Morecambe matches Wise, the way Fischer matches Spooner; not for spirit, not for love, not for all those party ghosts... It’s all over now, baby blue. Play a song for me, would you ...?



Thursday, 5 April 2012

Will the real Niallist please step forward ...?


The Nialiist is one of those enviously hyper-productive modernists: a musician, blogger, party organiser, remixer etc etc... But just who IS the real Niallist, or better yet, who the hell does he THINK he is? Let's get him...!

Photo by Nickie


How did you get into music and parties and what motivates you to bring new things to the scene?

I've been into music since I was a child but I've been DJing and putting on nights since the late 90s when I lived in Glasgow. The music scene there is very healthy and it taught me a lot - people there take the music very seriously and can be pretty harsh, but it forces you to up your game all the time.

I'm part of a night in Glasgow called Menergy, which is a drag-and-disco party, and when I moved to Manchester a few years ago I knew immediately that this was the perfect city to do something similar. We had put on a vogue ball in Glasgow and when I met Joe Spencer we decided to put one on here too. That was our first party, Vogue Brawl at Legends in January of 2011, which was a big success and that basically was the birth of Tranarchy, our art/music/parties collective.



Tranarchy is all about creating a safe space for all the freaks and weirdos to come together and have a good time to some great music. As the name suggests, it's very drag and queer-oriented, and we're also into putting on parties in unusual locations, like our recent outlaw tram party Tramarchy:



Tell us three singles/albums/videos/artists that inspire you to do what you do.

1)...Daft Punk, Homework



This was the record that made me think I could make music myself without having to rely on a band, I just needed to get some boxes and pump them up! Homework also acted as an amazing crash course in Chicago house, Detroit techno and New York disco. I think this album changed an entire generation's musical lives, and you can still hear its influence fifteen years later.


2)... anything at all by Missy Elliot

Missy is such an inspiration – she's always pushing the envelope in visual and musical terms, while remaining accessible and unpretentious. To me Missy is the artist who represents that golden age a few years back when chart-topping pop music was genuinely bizarre. She's also representing for all the big peeps who consider themselves to be ‘freaks’!



3)... Azealia Banks, ‘Liquorice’

I think I'm falling in love with Azealia Banks. ‘Liquorice’ is the follow up to last year's dance floor smash ‘212’ and is basically just her rapping over a track by the house producer Lone. I'm impressed that she picked this track to rap over, and her flow is fresh and unique. It's the return of hip-house! I'm hoping her album is this good…



Share three of your own musical creations with us that you're most proud of, or that say most about you.

1) My current album AKA is available now as a free download at akamixtape.com – everyone should go grab a copy! There are loads of guests on there, including Cherie Lily, Yo Majesty, Scream Club, Beth Ditto, Andrew WK and rappers from the ‘homo-hop’ scene. Musically it's got quite a hip-hop vibe, but crossed with my usual electro-funk and Chicago house influences.



2) I've put together a mix for my new club night starting on Friday at Night & Day on Oldham St. The night is called Bang The Box and is all about the 808, the 909 and the 303! There's 44 tracks in 52 minutes on this, covering old skool rap, freestyle electro, Chicago house and newer things like New Orleans sissy bounce and the modern vogue/’cunty beats’ scene.

3) And here's an oldie but goodie - this is my single ‘The Hots’ which was released on the respected techno/electro label Dissident about three years ago. It's heavily influenced by hi-nrg producer Bobby O, and also a bit of the Human League, but slowed down and with way more sleaze:


Tell us three events we should be excited about and WHY, damnit!

Well, firstly my new night Bang The Box which is Friday 6th April at Night and Day. I'll be DJing all night long playing my favourite tunes (booty-bass meets acid house meets disco) and mixing things up on Ableton with a few added drum machines for extra funkiness. Those boxes will get banged!



The following Friday it's the UK live debut of New York's vogue queen Cherie Lily, at Kraak Gallery in the Northern Quarter, presented by Tranarchy. We've been hammering Cherie's single ‘Werk’ at all our events because it's a floor-filling modern classic (‘i-i-i-i-icon!’) so to have her over to perform it live is gonna be very special! Also Cherie's husband Andrew WK might put in a wee appearance…



April 27th sees Trouble At T'Mill at Islington Mill, event curated by Trash-O-Rama, where I will be playing alongside the Drunk At Vogue posse, which will be a lot of fun and which I am looking forward to.


And if I can just squeeze one more event in, I wanna plug Hunx And His Punx performing live at Islington Mill on Sunday May 13th. Myself and Kurt Dirt are preparing a very special Tranarchy live show in support that will feature drag queens, leather priests, motorbikes and more...

Wednesday, 14 March 2012

Saltylips



You might have tripped over a catchy bit of low-fi-electronic hipster-baiting called ‘Northern Quarter Dickhead’ recently. It’s a musical ‘tribute’ to the growing army of bearded cycle-clipped dudes who make the streets of M4 their stomping ground (I remember when it was all fields…) Go stand at the junction of Oldham and Thomas Street for a couple of minutes, you’ll see ‘em. If you haven’t heard the tune, here it is. WARNING: sense of humour required, jeez….



‘Ride your bicycle from Chorlton, even in the rain…’

I love that bit. So, er, what the hell is going on …? Step up, Saltylips



Saltylips is a Queer one-man band, armed with an iPad, a mic, a spotlight and the biggest asset: a sense of humour. Saltylips has been around since 2007 with more line ups than Destiny's Child. Starting as a three-piece in 2007 (Ged, Dawn and Nick ElBeardo) they did gigs all over Manchester (Contact, HomoElectric, Night & Day, The Roadhouse, Manchester Pride, Retro Bar, Moho Live etc.) creating havoc with their electro-punk theatre. Over the past five years Saltylips have played over sixty shows and produced two albums: The Dead Zombie Diva and We Are Viral, along the way spawning including the tracks ‘BabyBear’, ‘Whitney Houston’, ‘Wannabe WAG’, ‘Primark Song’, ‘Smize’ and ‘If Ur A Bear’ to name a few. In 2010 Dawn had a baby girl called Champagne Aspirin Richardson, who is the apple of her eye. In 2011 we sadly lost our best friend, go-go dancer and babybear Nick ElBeardo. 2012 is all about rebuilding Saltylips, for the time being as a solo project…”



So what exactly are you all about please?

“I think a lot of gay artists in the mainstream are boring and need a kick up the arse. To be a gay man in the public eye, why do you need to be a parody of what straight people perceive as gay? I have a great sense of humour and I can write a banging track in an afternoon. That is who I am and that is what I have to offer, take it or leave it."

We’ll take it please. So far in 2012 Saltylips have released a three-track EP called LGBTQ Whatever including the aforementioned ‘Northern Quarter Dickhead’, far and away their biggest hitter so far. And that’s before we even get the hilarious harmonic-scrambling ‘Put Ur Penis In My Coconut’. Check it out:



Looks like Manchester has found it’s very own comedy Ssion, so come and feel the noise when Saltylips take over the Mineshaft at this month’s Bollox with a special party called ‘It’s Not Even Ur Birthday’. Well it’s not, is it…? See you down there. Get learning those lyrics …



Friday, 11 February 2011

Off The Hook: Queer Contact Closing Party

DJing went a bit quiet during my writerly hibernation but I'm back with a vengeance, eight gigs lined up for the coming months, kicking off this Saturday (that's tomorrow!) with Off The Hook throwing the closing party for the Contact Theatre's Queer season. What an honour, and such a cool space to play, very different to our usual sweaty basement shenanigans. For the uninitiated we play quality Black pop music from across the decades, this means hip-hop and r 'n' b, with a smattering of disco, Motown, reggae, ragga, Hi-NRG and ska.

Here's a rundown of some Off The Hook floor-fillers ...

'Shy Guy' - Diana King
'Jayou' - Jurassic 5
'No Scrubs' - TLC
'Mama Said Knock You Out' - LL Cool J
'Mr Wendal' - Arrested Development
'Dare Me' - Pointer Sisters
'None Of Your Business' - Salt N Pepa
'Informer' - Snow
'It's A Shame (My Sister)' - Monie Love
'Miss You Much' - Janet Jackson

We might even play the theme tune to 'Fresh Prince Of Bel-Air'

Facebook event page is HERE.

Spotify taster HERE.

Come pester me in the DJ booth.