Showing posts with label Sex and the CIty The Movie. Show all posts
Showing posts with label Sex and the CIty The Movie. Show all posts

Thursday, 16 October 2008

Music, Vermouth, Sex and Poetry


Speaking of music, a fine gig was thrown by Coraline in the sumptuous upstairs room at Deaf Institute to celebrate the release of their fantastic first EP. I am determined to throw a party in that room, it is officially my favourite space in Manchester. Gutted I couldn’t stretch to the Holy Fuck show there following their stint supporting Foals at the Academy. Seeing them twice in one night on a Wednesday though, even I have limits. Foals themselves were quite quite brilliant. Very exciting prolonged intro with massive shadows of the band cast the full length of the venue walls. Spine tingling. The songs are just something else entirely played live, fuelled I suspect by the power emitted from Yannis’ now enormous hairdo. The kids loved ‘em, I’ve never seen so many stylish and mashed children on a week night. They knew all the moves. Better than a cup a soup in front of Desperate Housewives. Don’t like the new Academy bar though, yuck. The bouncers were monsters too, sniffing people’s drinks and ID-ing all and sundry. Mind your own business and watch the band.



Forgot to mention my transplendently splendiferous Sex and The City party. I had a grand screening of the movie at my gaff and a right old knees-up it was. No attention to detail was spared. I had a playlist assembled featuring songs from the series (Cheryl Lynn, The Source feat. Candi Staton, ‘Moonriver’, ‘Are You Gonna Go My Way?’) culminating in the series and movie theme tunes for added excitement. God what an anorak I am. I screened two carefully selected episodes as pre-movie trailers (the one where she breaks up with Aidan by the fountain, the one where Big leaves for California and Miranda has the baby) to an even more carefully-selected audience of appreciative girls and gay boys. Dear Paul even dragged himself out of his sick bed to attend and proved himself a sterling mixologist making Martinis, clean and dirty, and Cosmopolitans till his perfectly-toned arms ached. Fun fun fun.



In other news I recently got myself a nice eight quid, austere, to-the-bone haircut as a kind of baptism into my new life and to celebrate our current wartime penury. My god I was freezing. Check out my skull.


After the partying described passim, the madness came to a crashing halt, as these things do. I went to the Warehouse Party’s Eat Your Own Ears shindig and could only withstand three songs from Late Of The Pier before I had to retreat home trembling. The night before had been unbelievably sticky, finishing at 8 am with bruises, Noilly Prat all over the carpet and a trashed flat. Honestly, at my age. Lesson learnt.

More cerebral and low-key adventures are now in order. To that end I did this. And I am also reviewing the Manchester Poetry Prize Gala on Thursday night. Exciting stuff. Looking forward to seeing Carol Ann Duffy again, whom I adore, especially since the drunken night when she held my head in her hands and said, ‘You look like a poet. Are you? You look like David’s Michelangelo.’ A memory I will take with me to the grave.

Lastly, and most importantly of all, I sat down and worked on The Novel for the first time in weeks, rattling off an entire chapter in one evening. This means I have three chapters to go and the writing is DONE. Then comes the edit. I am geared up for it now more than ever. Watch this space.

Thursday, 29 May 2008

I couldn’t help but wonder …

… when did I become a die-hard Sex and the City fan? I never meant to. It entered my radar on hearsay as a sex comedy where a bunch of women slept around ‘like men’. The first episodes I watched laid out the remit fairly brutally: here are the rules for women and sex, let’s shake things up. The quotient of bare-chested men was a plus, and they always made New York look so beautiful and gutsy. Having caved in and bought the box-set, the evolution from sex dramedy, to women’s drama with comedy and sex, to just great drama is, in retrospect, triumphant. The key theme was never sex or men, it was friendship. When you have to let them all go at the end of that final episode, it hurts. That has to be good drama.

But now they’re back! For two hours anyway, and grateful we are for it too. Sex and the City: The Movie. It’s about now I realise I’m a die-hard. Chatting about the series in the weeks before the movie release, it seems I know everything about the show. I have watched it far more often than I realised. When I was going through a painful and excessive time in my life I watched it every day, it became a tonic. I couldn’t be hungover without it. I am here on the opening night of the movie. I am amongst the die-hards. They applaud when the theme tune begins and applaud again at the end. They drink home-made Cosmopolitans out of Lucozade bottles. Classy. I came to the movie without expectations or demands, just excitement. I left happy and a bit tearful, just like a good episode. I am writing this on my computer, alone in my apartment, while sirens wail outside my window. Don’t ask me if the movie’s any good. I’m far too biased to know.

Sex and the City Requiem

There’s no arguing that the writing was, at times, perfection, and the bits that make you bawl are the real meat of the series, so here are my top five Sex and the City tear-jerkers of all time. Read ‘em and weep, and kiss those girls goodbye for the last time …

Time and Punishment (Season 4). After her affair with Big, Carrie is on her second chance with Aidan but he can’t reconcile himself to Big still being in her life. The pressure eventually crushes her and she stands in the doorway sobbing, ‘You have to forgive me. You have to forgive me …’ a dozen unbearable times.

My Motherboard, My Self (Season 4). Miranda has to walk down the aisle alone behind her mother’s coffin. Carrie sees her begin to crumple as she passes by and leaps up to hold her, kisses her hand, and they walk on together.

An American Girl In Paris (Part Une) (Season 6). Carrie is about to leave New York to move to Paris. At her goodbye lunch she asks the girls, ‘What if I had never met you?’ Floodgates.

An American Girl In Paris (Part Une) (Season 6). In the middle of her uninspiring speech at the Breast Cancer benefit, Samantha caves in to a tropical moment brought on by her chemotherapy and pulls off her wig, inspiring a room full of women to do the same in solidarity. Cue hankies as they stand and applaud. The audience were in fact real cancer patients for additional blubbage.

An American Girl In Paris (Part Deux) (Season 6). Charlotte and Harry finally get a letter from the adoption agency, including a photograph of a baby girl. Charlotte holds the photograph and tells Harry, ‘That’s our baby’. Sob.