Tuesday, 26 January 2010

Berlin Part 2

A modest amount of sleep plus sworn promises to never drink that much ever again, no no not ever, and we get to see our neighbourhood in snowy daylight, and it‘s gorgeous. Prenzlauer Berg is old East Berlin. Kastanienalle and Zionskirchstrasse are the buzziest bits and Katie’s ingenuity has landed us right in the middle (for €25 a night each, danke kerching). Oderbergerstrasse is like a Parisian avenue with a park at one end where you can sit on a swing that takes you backwards and forwards across the Wall with childlike irreverence.


Today there is a flea market which is really an excuse to indulge in currywurst and gluhwein rather than splash out on kids clothes and old chairs and Michael Jackson picture discs, all of which are covered with snow. It’s a great opportunity to dog spot too, the dogs in Berlin are beautiful, the happiest and healthiest of beasts, especially in comparison to the rats on sticks in vogue in New York or Paris.



I decided ahead of time I wasn’t ready for the Libeskind Jewish Museum but we go to the Memorial to the Murdered Jews of Europe which is surely the most photographed thing on Facebook. It is interactive in the good old-fashioned sense you have to get in and walk around it. It’s moving in unexpected ways. When we were there the tops of the pillars were covered with snow, the sides were dusted on one side with flakes reflecting the direction of the wind and many had slim fingers of ice running down the sides, it was beautiful. I like to imagine teenagers sneaking in there at night and making frantic love between the pillars. It’s life.



The concrete was dark and wet and imposing and of course made me think of concentration camps and graves and gulags. I thought about people who perished from working outside in the temperatures we were walking around in. I thought about Primo Levi walking all the way back to Italy through empty villages after the liberation. There is no memorial big enough, but you have to try.




The gay and lesbian memorial in the park across the street is a defiant cube cast in the same lifeless concrete but in its heart runs a perpetual film of two timeless-looking men kissing tenderly. The writing on the plaque is actually more touching than the monument. I think about Uganda. I think about Larry Kramer saying ‘Homosexuality is hated everywhere in the world’ and I feel in my bones he’s right. There is no memorial big enough, but you have to try.



The Reichstag, closed for some political thing of course, all very nice but I didn’t really feel anything, or much care. I would liked to have seen it wrapped in plastic. There’s a Starbucks at Brandenburg Gate where the tours commence. I’m sure Berlin didn’t come all this way for so very little. There’s not much head-space there to mourn the death of a possible Socialist Europe, you might as well print up Stasi appreciation T shirts, but I do feel sad that Socialism is the dirty word it now is when it had so little to do with whatever that system was which buffered the Soviets from the rest of us.



Power nap then to Zionskircheplaz in search of a vegetarian Russian restaurant which is closed. It is fortuitous. We go to the next restaurant we see to get out of the cold and snow and the lovely proprietor explains to us thusly: there is a golden pig on the bar into which you place €2 to hire a wine glass. At the end of the bar are five open bottles of red wine which you taste and choose as you please. The deal is you order what you like from a menu of four courses and at the end of your meal you pay as much as you feel it was worth by putting your cash into a jar. Simple. Civilised. Difficult too.


A kind waitress translates the menu into English (cream of celery and gorgonzola soup, walnut and cheese ravioli, divine) before Katie and I embark on one of those Olympic conversations we specialise in that encompasses art, fashion, food, fucking, mortality, politics, children, God, hairy chests, you name it. It feels, to paraphrase, as if the conversation is having us. It is one of the nicest nights of my life. How can we possibly go to bed? A neighbourhood bar keeps us in Cosmopolitans and Manhattans until the wee small hours and we trudge home in the snow. In lieu of a stereo we stay up singing James Taylor and Ivor Novello and Suzanne Vega and Ella Fitzgerald to each other in the kitchen.


I can’t remember getting to bed.

Saturday, 23 January 2010

Berlin Part 1

What Berlin lacks in … actually I can’t finish that sentence because after four days of food, drink, tubes and trains, inspiring streets, inspired people, glorious snow, dancing, dogs, history and art, the only thing I’ve been left wanting is more.


Apartment

Katie and I hit the city on Saturday night so necessarily begin the trip at the far end of hedonism. Criminally underdressed (in terms of warmth, not style) and approaching midnight we find ourselves trekking alongside one of the few remaining stretches of the old Wall in search of Berghain / Panorama Bar. The stretch is now known as the East Side Gallery and displays exciting outdoor contemporary art, only the most obvious of ways that old and new Berlin symbolically merge, and they frequently do.

Street

Various street punters aren’t able to tell us the way to Berghain. They obviously aren’t cool enough, and neither are we. Eventually we give in and cab it before we die of exposure (it’s around minus 11 out). After a door search that stops just short of internal we’re permitted into the old power station that runs over two enormous floors. Following some good advice, we get stamped, stay for one then go elsewhere while the party kicks in.

Fernsehturm

Elsewhere translates into whiskey sours and all manner of cocktail goodies (and smoking indoors!) in Kreuzberg where we befriend a fabulous twenty year old barmaid who is off-duty but just hanging out. It seems to happen a lot in the friendly bars there. Bizarrely she’s spent some time in Iowa so her excellent English is peppered with endearing Americanisms (“I’m like, you’re kidding me, right?”).

Drinks, laughs, conversation then back to Berghain (it’s on the borders of KreuzBERG and FriedrichsHAIN) around 3 am where the main draws seem to be a party-hard, mixed-sexuality crowd, and tough but understated techno (for which the Berlin clubs are still best known). The huge windows are un-curtained at dawn so you can carry on partying into the next day in unforgiving daylight and discover at last if you’ve been making out with a man a woman or a hat stand. (We don’t quite make it that far). The atmosphere is amazing, hedonistic but not po-faced, drugs and decadence in abundance (allegedly), androgynous couples sprawled on old cinema seats, strange negotiations under red lights, divine abandon.

Berghain

We leave about nine in the morning when everything but us is getting its second wind (translation: Katie is asleep). The curtains are still drawn. First item on my ‘Next trip to Berlin’ list: see it through at Berghain. I can’t wait.

Attempting to negotiate things like cigarettes and fizzy drinks at dawn in Manchester while the Normals are up and about after a night’s sleep makes you feel as if you’ve fallen off the end of the world, but here not an eyebrow is raised as you drunkenly fall in and out of the Photoautomats, hug strange dogs and make angels in the snow …

Wednesday, 13 January 2010

The year turns

2009 … 1 Year Blog Anniversary, DJing, carefully soundtracked walks in the rain, 20 years since Stone Roses and De La Soul, frozen vomit on the streets, Thomas Tallis, wondering if I could live abroad, red wine instead of white, tea with the bag left in, books about Renaissance costume and Anthony Burgess, first stab at loneliness, writing with my dressing gown on, planning the new novel, snow, snow, snow like I’ve never seen in this city, flakes the size of your palm, snow so thick the traffic is silent, fantastic Christmas of Orson Welles and whiskey, Glasgow, my special boy, trains, menthol cigarettes, Christopher Owens …


2010 … look after myself better in all sorts of ways and look after the boy, write, get published (perennial, I know), DJ some more (I hope), be a better friend, go to Berlin, distinguish myself, don’t give up …

The eternal battle between the Arthur Russell and the Madonna in me rages on.



Great starts to the year include …

The Irrepressibles. EP here, album here, amazing compilation of live images set to beautiful track ‘In This Shirt’ here …




Gorgeous preview of The Knife’s operatic collaboration with Mt. Sims and Planningtorock here ...


The Red Shoes new digital print.

Music and Silence by Rose Tremain.

And more to come …

Happy New Year

Monday, 7 December 2009

Mother's Ruin Yuletide Ding Dong!

Sod panto, boys and girls, Christmas theatre has moved on. Glamour, debauchery and drama are what Christmas is really all about. Read on…


Mother's Little Helpers abandon mince pies and pork scratchings in favour of shoulder pads and BIG HAIR in this, Mother's Alternative to Christmas.

Had enough Turkey to last a lifetime? Fed up with tyranny of trash televisual scheduling? Then get your shoulder pads on for an 80's retro spectacular showing of the cult new show STARK DALLAS NAKED starring Jonny Woo, David Mills and your hostess Ms Timberlina!



In case you missed the last episode, Sue-Ellen's still drunk, Pamela is still stupid and JR is just asking to get shot. A sun drenched, Miami-style antidote to the grey Manchester skies and commercial Christmas trash.




A beacon shining out against the dark satanic mills, Mother's Ruin brings you the darling of the avant garde Mr. Jonny Woo, the sensational cabaret Casanova, David Mills and a special northern appearance for the fantastic Jonny Sizzle! Stark Dallas Naked is a cult underground comedy spectacular, uncovering a dastardly plot to ruin the Ewing Empire. Bring your own shoulder pads, but Big Hair will be available on the night!

Dress to impress, bring your friends and enjoy ding dong Texan horse-pitality. Extra Bacardi has been sourced for those with a sensitive disposition!

Plus the (un)usual melange of madness from Ms Timberlina, a Golden Girls Christmas Cabaret, a few extra special treats and of course our fantastic house band, Quartertime!


Sat 19th December, 8pm till late
Green Room
54-56 Whitworth St West
Manchester M1 5WW

Box Office
Open Mon-Fri: 10am-6pm
Call: 0161 615 0500
info@greenroomarts.org

**Read more here …**


See you there you ho-ho-ho’s …

Tuesday, 1 December 2009

My 50 Favourite Songs of 2009

‘How do you ‘consume’ music, when a) music isn’t a thing, and b) it’s still there after you’ve used it - or you think you’ve used it. Just because the industry markets it as a commodity doesn’t mean we have to accept their terms of reference. It’s time people stopped talking about ‘consuming’ art and culture and so on and started thinking of art as an activity, something you do.’
- Robert Walser, Running With The Devil


For all the endless assaults on authenticity, heartfelt songwriting and grassroots talent represented by X Factor and the like, this was in fact the year of Spotify and unprecedented access to music for free. There’s no greater pleasure for a spod like myself than to leaf through Uncut or click through Pitchfork, read an interesting review and listen to an album right then and there without leaving my chair. The worry of course is that bands are never going to make enough of a living this way to give their recording career any kind of longevity and so the temptation to act like a mannequin, sing bad cover versions and get on the telly grows ever stronger. You can always sell your music to McDonald’s, Nike or Victoria’s Secret. Why not? Kim Gordon’s Gap campaign long since killed the notion of ‘selling out’ anyway, and let’s not mention that upsetting Iggy Pop insurance debacle …


What a year for music though, there is/was just too much to choose from, the backlog of unheard material could probably double this modest list of fifty favourites. I’ve quite surprised myself with what tickled the old cochlea this year, from the gutsy buzz/drone of Envy’s grime to the irrepressibly smiley Das Pop to the drowned ambient goth of the Fever Ray album to the mighty Yeah Yeah Yeah’s getting pipped to the post at the last minute for my favourite song and album of the year, it’s all here. And before you say it, I know I've turned into a complete pop-kid, live with it. (Disclaimer, I haven't thoroughly checked if any of these were late 2008, forgive me for rogue entries, I think we're okay though).


So, we may well be fiddling while Rome burns, but what the hell, it gives a lovely light …



Vivian Girls

Das Pop – Underground
Kid Cudi – Day 'N' Nite (Crookers Remix)

Vivian Girls – Moped Girls

Cheryl Cole – Fight For This Love

Focus Group – Very Truly Yours




Micachu


Choir Of Young Believers – Action/Reaction

Micachu – Turn Me Well

The Amazing – Dragon

God Help The Girl – Come Monday Night

Crystal Stilts – Love Is A Wave



Andrew Bird


Metric – Sick Muse
Dananananaykroyd – Black Wax

Tinchy Stryder and Amelle – Never Leave You

Andrew Bird – Oh No

Envy – Set Yourself on Fire



Pet Shop Boys


Pet Shop Boys – Love etc.

Simian Mobile Disco – Audacity Of Huge

Florence + The Machine – Cosmic Love

MIike Snow – Animal (Fake Blood Remix)



The Hidden Cameras


Grizzly Bear – Two Weeks
The Hidden Cameras – Underage

Fuck Buttons – Surf Solar

Little Boots – New In Town

The cocknbullkid – I'm Not Sorry



Fever Ray


Eminem, Dr Dre, 50 Cent – Crack A Bottle
Fever Ray – Concrete Walls

Camera Obscura – French Navy

M. Ward – Hold Time

Animal Collective – My Girls



The Pains Of Being Pure At Heart


The View – 5 Rebbeccas
Golden Silvers – Arrows Of Eros

Passion Pit – The Reeling (Calvin Harris Remix)

The Pains Of Being Pure At Heart – Come Saturday



Dirty Projectors


Sunset Rubdown – Silver Moons

Brakes – Oh! Forever

Antony & The Johnsons – Epilepsy Is Dancing

Dirty Projectors – Stillness Is The Move

The Antlers – Two




… and the Top 12 (because 10 wasn’t quite enough) …



12. Jay-Z feat. Alicia Keys - Empire State Of Mind

Sweetly plinky-plonky and epic-sounding at once, lyrically Jay-Z managed to be his usual me-me-me self but strangely sentimental and touching with it: ‘Labor Day Parade, rest in peace Bob Marley, Statue of Liberty, long live the World Trade, long live the King, I'm from the Empire State …’. Genuinely touching vocal from Alicia Keys lifts the whole thing from start to finish.





11. Morrissey - I’m Throwing My Arms Around Paris

2009 was the year of cancelled dates, health scares, turning fifty and hurled bottles. Years of Refusal split the critics but this slow-burner turned live favourite was the stand-out single. He stumbles into 2010 without a record contract, continuing his against-the-odds career as ageing mayor of Indieland. You’ll miss him when he’s gone, as I’m sure he’s pointed out. He will always, always be King to me.





10. Madonna feat. Lil Wayne - Revolver

I was in a happy place when I first heard this. I’m still there and I’m bringing Madge with me. Flyer for the Best Of or Greatest Hits or whatever it was meant to be (get the DVD, forget the CD) this Britney-a-like track got under my skin thanks in part to the characteristically laconic ramblings of Lil Wayne. Crookers rmx any time now please …



9. Bat For Lashes - Daniel

The very best bits of the blissful, sexy, sad Two Suns entwined in one song. This is what Florence + The Machine will sound like in 2010 probably. Gorgeous.




8. Everything Everything - My Keys, Your Boyfriend

Or ‘MYKZURBF’ for the impatient thumb generation. Least immediate and ultimately finest single so far, the band are this close to surpassing all of their initial point-of-reference peers in a flurry of keyboards and better-than-the-last live appearances. Album of the year 2010? I’d part with money over it.





7. La Roux - In For The Kill

You know you’re getting on a bit when popstars are not only too young to remember the eighties but too young to remember the last eighties revival. Hence La Roux seeming out of time in more ways than one, but if being relentlessly po-faced and oblivious permits you to make pop music as crisply finessed as this, it’s worth it.





6. Julian Casablancas - 11th Dimension

All over the place, and better for it, of course it’s hard not to think of The Strokes while listening to his voice but the New Order guitar-play and disco-synths pull this yummy little melody into new infectious territory.





5. Dizzee Rascal - Bonkers

Okay so he’s not the bad boy he once was but would we really have bought the same act six years on? Doubt it. It’s no small thanks to Dizzee that three-minute electronic farts and rattling trashcans can not only chart but can fill dancefloors while sounding cutting-edge and stoopid all at the same time.





4. Lady Gaga - Paparazzi

I have been bemused and unmoved by LG since Day One, the disco stick stuff didn’t touch the sides for me but for some reason this has been living all over me ever since it was released. There’s something a little bit touching about it all, in a mental way (‘I’ll follow you until you love me’), the melody has a nod to Berlin’s ‘Take My Breath Away’, plus the line about ‘eyeliner and cigarettes’ gets me every time. Check out this amazing piano version, sounds like Abba:





3. V V Brown - Shark In The Water

Love at first hearing for me. I imagine the studio exchange went something like this: ‘I’ve written this song yeah and basically it’s a cross between ‘Put Your Records On’ by Corinne Bailey Rae and ‘Hey Mona’ by Craig McLachlan. Sounds good yeah?’ Ermm … Yeah actually it sounds amazing. The girl done good, tripping over mixed metaphors and vast fringes in three euphoric minutes.


V V Brown - Shark In The Water

VV Brown | MySpace Music Videos



2. Yeah Yeah Yeahs - Zero

It took just a couple of months for
‘Zero’ to establish itself as forever-staple of the indie club dancefloor and this could've gone either way with ‘Heads Will Roll’ of course. Toss a coin. Suitably flawless and breathlessly exhilarating ambassador for what history will come to regard as the finest album to date from the YYYs.




1. Girls - Lust For Life

Back in March I didn’t think I would hear a better or more important song all year than ‘Zero’. Then came Girls. Christopher Owens really is a shockingly good songwriter and personal investments (read the lyrics) made this my favourite cut from the brilliant, brilliant album Album. As simple as songs come, when the bass and drums make their arrival fifty seconds in I suddenly feel wide awake and oh so happy to be here. Faith in music intact into 2010.





***Rude version of the video here***


Here is the Spotify playlist to go with the top 50 (minus Fuck Buttons, Grizzly Bear and Everything Everything, all on youtube)



More end-of-year gubbins …


Albums of the year

5. Morrissey – Years Of Refusal
4. V V Brown – Travelling Like The Light
3. Antony & The Johnsons – The Crying Light
2. Yeah Yeah Yeahs – It’s Blitz!
1. Girls – Album

Girls

Blog of the year

Worrapolava
http://worrapolava.blogspot.com/
Consistently fun, funny and insightful archaeological dig into music old and new. Brought me the wonderful ‘Wonderful Life’ by Hurts, who only live in my own bloody city don’t they?

Remix of the year

Special made-up category so I can shoehorn one more song into my faves list. Believe it or not, Arthur Baker’s rework of ‘Wonderful Life’ by Hurts, it’s better than the original, how dare he.
http://soundcloud.com/phileastend/wonderful-life-arthur-baker-remix


Gig of the year

Bon Iver at the ATP Festival, Minehead Butlins. Time stands still as the bearded beauty closes his eyes under blue light and pulls ‘Lump Sum’ down from God himself. Tear shed.

Bon Iver

Wednesday, 25 November 2009

Gay Icons: Part 2



Larry Kramer

‘I love being gay. I love gay people. I think we’re better than other people. I really do. I think we’re smarter and more talented and more aware and I do, I do, I totally do. And I think we’re more tuned in to what’s happening, tuned into the moment, tuned into our emotions, and other people’s emotions, and we’re better friends. I really do think all these things.’


Larry Kramer wrote the screenplay for Ken Russell’s Women In Love but what brought him more lasting prominence, or at least notoriety, was the novel Faggots which in 1978 documented the last great years of sexual freedom for gay men in New York before AIDS cut through the city like an invisible tidal wave. Faggots was no celebration of debauchery, rather it was a plea for understanding from a community that needed love but got only betrayal, sex, opiates and self-loathing. Lots of gay men hated the book. The scene depicting the fire in the bathhouse (based on an actual blaze that killed nine men) seems something like a hell of our own making. The party was soon over.

‘Kramer became involved in gay activism when friends he knew from Fire Island began getting sick in 1980. In 1981, Kramer invited the "A-list" group of gay men from the New York City area to his apartment to listen to a doctor say their friends' illnesses were related, and research needed to be done. The next year, they named themselves the Gay Men's Health Crisis (GMHC), and became the primary organization to raise funds for and provide services to people stricken with Acquired Immune Deficiency Syndrome (AIDS) in the New York area.’ (Wikipedia)

GMHC is still the largest organisation of its kind in the US. After this point Kramer became the thorn in the side of both the homophobic establishment and gay apathy alike. When the government was wilfully slow to act on hundreds of dying Americans in the 1980s, Kramer started ACT-UP.

He’s still fighting both his own illness and the establishment that didn't expect him to live so long.


David Hoyle

‘When any of us start to look for approval and encouragement from within the corporate sector, you might as well top yourself. And that’s what we’re going to do tonight’

‘People often ask me if I prefer Manchester United or Manchester City, and I always say, they’re both lovely’

‘Join us as we explore Manchester’s Gay Village, its relevance - what is it saying to us? Is it a powder keg of the avante garde?’

It’s hard to think in ‘iconic’ terms of someone who’s been round to your flat but the various charming, disarming, scary and/or confrontational personae of fellow Blackpudlian David’s on-stage creations can always leave you star-struck and panting. That his incarnation as the Divine David caught the imagination of so many (the adoring and trend-setting Duckie collective amongst them) was indicative not only of how high he set the bar for politicised ‘cabaret’ but of something like a change of consciousness in the gay scene. In other words, you hoped that everyone would get him, and they did. Gay people sometimes need a brutally scathing kind of satire to shake us up and David’s always starts from the assumption/insistence that we all love each other first. No doubt he’s spiritual godfather of sorts to post-gay performance terrorists like Jonny Woo and Scottee, but mostly he’s just very, very funny.


Lawrence D. Mass and Arnie Kantrowitz

Aged twenty I was most likely an incipient alcoholic, certainly deeply closeted, and a student. On my University course and in my own reading I immersed myself in any kind of liberation literature I could get my hands on. I studied feminist rhetoric and did my dissertation on Civil Rights novels in either a repetitive act of masochism or a subconscious attempt to try and learn the language of liberation myself for use at some hazy point in the future. I was in the midst of my Jewish phase when I came across Larry Mass’s book Confessions Of A Jewish Wagnerite. It had a naked man on the cover, I don’t know how I dared buy it, I didn’t actually remember picking it up when I got home, perhaps I stole it. I hope so.

The series of autobiographical essays are about Mass’ coming-to-consciousness as a forcibly assimilated and self-denying Jew, and as a gay man. It’s full of opera of course, and is frequently, horribly bourgeois (at one point he walks into an ostentatiously over-decorated room and is so offended he actually vomits). It’s also deeply insightful, beautifully written and responsible for the tiny seed that helped me eventually come out after another four years of trying to party myself dead.

Along with Larry Kramer and others, Mass, a physician, was one of the founders of GMHC and published the very first paper addressing the spate of mysterious illnesses affecting gay men in urban areas. His partner of many years is Arnie Kantrowitz who wrote Under The Rainbow, a heart-rending but hopeful autobiography about growing up gay in America. Kantrowitz is also a lifelong activist, co-founder of the Gay and Lesbian Alliance Against Defamation (GLAAD) amongst other things, one of that generation who just seem tireless when we can’t usually be bothered to even sign a petition, let alone bury a friend every week for ten years and still find the strength to write, educate, work and teach. Arnie has no Wikipedia entry, I think I’ll write one for him.


Frank O’Hara

‘Steps’

How funny you are today New York
like Ginger Rogers in Swingtime
and St. Bridget's steeple leaning a little to the left

here I have just jumped out of a bed full of V-days
(I got tired of D-days) and blue you there still
accepts me foolish and free
all I want is a room up there
and you in it
and even the traffic halt so thick is a way
for people to rub up against each other
and when their surgical appliances lock
they stay together
for the rest of the day (what a day)
I go by to check a slide and I say
that painting's not so blue

where's Lana Turner
she's out eating
and Garbo's backstage at the Met
everyone's taking their coat off
so they can show a rib-cage to the rib-watchers
and the park's full of dancers with their tights and shoes
in little bags
who are often mistaken for worker-outers at the West Side Y
why not
the Pittsburgh Pirates shout because they won
and in a sense we're all winning
we're alive

the apartment was vacated by a gay couple
who moved to the country for fun
they moved a day too soon
even the stabbings are helping the population explosion
though in the wrong country
and all those liars have left the UN
the Seagram Building's no longer rivalled in interest
not that we need liquor (we just like it)

and the little box is out on the sidewalk
next to the delicatessen
so the old man can sit on it and drink beer
and get knocked off it by his wife later in the day
while the sun is still shining

oh god it's wonderful
to get out of bed
and drink too much coffee
and smoke too many cigarettes
and love you so much

  
Terry Higgins

Such is the monolith of the charitable industries of AIDS that the name ‘Terrence Higgins’ has become little more than a brand, but the story of the first man in the UK to officially succumb to AIDS is nothing short of film-worthy. Born in 1945, a genuine baby-boomer, Terry was only 37 when he died of the disease in 1982. He was a renegade with a debauched, maverick sense of humour (he‘d painted his Royal Navy ship with a hammer and sickle to get himself discharged).

At the time he became sick he was working as both Hansard Reporter in the House of Commons and as a barman in Heaven, the oldest gay club in London, which meant he could walk from his day-time overground life to night-time underground existence in a matter of minutes and if there’s a better metaphor for the duality of gay life I’d like to hear it.

It was in Heaven, summer 1982, that Terry collapsed on the dancefloor as the sickness started to take hold. Such was the dearth of knowledge about the illness in those early years that Terry’s boyfriend selected to study HIV as part of his PhD, and tested positive himself, in his own lab, in 1984.

Asked what Terry might have made of having a charity set up in his memory, his boyfriend said, ‘I think he would have found it very funny’. He sounds like a man worth knowing.


Arthur Russell

‘It's a big old world
with nothing in it
and I can't wait to see you
another minute’