Showing posts with label Manchester Evening News. Show all posts
Showing posts with label Manchester Evening News. Show all posts

Monday, 15 September 2014

Manchester coming of age

Summer 2014.  I’m walking down Burton Road in West Didsbury, the street where I’ve lived for almost a year, and I see Vini Reilly standing in the doorway of one of the bars, wearing sandals and smoking a rollie. It’s Vini that you can hear playing guitar on ‘I Know Very Well How I Got My Name’, probably the most-purchased and least-listened-to Morrissey B-side (it’s on the other side of ‘Suedehead’). I must have played it a thousand times, on vinyl and then on my first guitar. (When I was thirteen years old, I really did dye my hair gold). At the bar on Burton Road, Vini looks like he doesn’t quite know if he’s arriving or leaving. We lock eyes for just a second. It’s eighteen years since the IRA bomb went off in town, and I got my A-level results and a place at Manchester University.

Yesterday. I am sitting in my Auntie Dee and Uncle John’s bedroom in Stretford and I can see the gasworks out the window and I’m struggling through the guitar chords for ‘There Is A Light That Never Goes Out’ as I have done for twenty years. Outside, dozens of Man United fans file past the house, fresh from a four–nil victory over QPR. Downstairs I can hear Dee, a Dubliner, chatting away with my other half Oisín, whose story started in Australia and came to Manchester via Ireland. This is at once exactly where I think I’m meant to be, exactly where I most want to be, and exactly where I never thought I would end up. It’s eighteen years since I moved to Manchester, half my life ago. I have lived here longer now than I’ve lived anywhere. I did it.


John drives us past the end of King’s Road on the way home and when we get dropped off in West Didsbury we walk along Burton Road again and the sky is criss-crossed with jet trails. I want to write something to mark my coming of age in Manchester because I feel suddenly emotional about it, so at home I start listening to some songs to try and level out my thoughts a bit. Morrissey’s ‘Lost’ is first – ‘jet trails in the sky leave one thought behind…’ – followed by his epic Raymonde cover, ‘No One Can Hold A Candle To You’, which I always used to pester Dave Cottrill to play at the Star & Garter, and he always did. Billy Bragg doing ‘A New England’ at the Kirsty McColl memorial concert, Eddie Reader doing ‘Dear John’ the same night, and eventually back around to ‘I Know Very Well How I Got My Name’, with Vini on the guitar.

So far, nothing in my life, and by my life I mean Manchester, has gone the way I imagined it, and certainly not the way I planned it, since the plan from childhood was to live in Manhattan, hence the portmanteau of my blog. I thought by now I would have at least two novels published and would live off the proceeds and be an activist. Instead, this month I will pay the rent with my fee from being the theatre writer at the Manchester Evening News and with the money I made from the gay RnB night I run. If I was a character in a novel it would be something by Tama Janowitz and everyone would agree that it was interesting but the characters’ lives seemed a bit contrived. We haven’t starved yet.

How to celebrate my ‘birthday’? The same way you always should: have a party, look back a bit, and count your blessings. The party has been had, at Festival No. 6, aka ‘Manchester by the sea’. I DJ’d there, partied until my screws came loose with some of the best people who live in this town, heard Weatherall play my favourite Frankie Knuckles edit, and saw Pet Shop Boys perform ‘It’s A Sin’ under the night sky. As for looking back, this is my twelfth address in Manchester and I remember something good and bad about them all. I am very happy where I am. I work in this place all day long looking down Burton Road, and I never get tired of it. Oisín comes home and we make food and we make plans for a future that might or might not turn out a certain way.

Some things never seem to change. Manchester is a city in terrible poverty.  Morrissey has no record contract but he’s still out on tour. The Council’s assault on our architecture makes Manchester feel less like itself to me than ever before – and I arrived on a bomb site, remember. It will always be home here, but I’d move to Berlin or Brooklyn in the morning. I’m saving the blessings bit for when I count backwards from fifteen at Trafford General next week. I won’t run out before I get to zero.

Monday, 11 August 2014

Nostalgia, bulldozers, and Humberto Velez’s ‘The Storming’


Early next year, Cornerhouse relocates and is reborn as HOME on First Street. As I sat down to continue my research for Humberto Velez’s project ‘The Storming’ – the immersive large-scale installation that will be the final staged event at Cornerhouse in April –­ I saw a story tweeted from the Manchester Evening News revealing that the two Cornerhouse buildings (the main building and Screen 1 over the road) are likely to be torn down by the Council at some point in the future when the site is ‘redeveloped’. I’d already heard a rumour two years ago that Oxford Road station would one day be expanded to encompass this entire site, but my hopes of a reprieve had been quietly raised by the lovely Scandinavian-style bike park that’s since been erected outside Java coffee shop. I don’t want to lose that lovely bike park. I don’t want to lose Java either, or the magnificently squalid ‘Exorcist’ steps that barrel down towards Caley Street. And while it would be impossible to justify the existence of a stand-alone cinema screen with no managing body, it will be sad to see Screen 1 vanish too (there’s been a cinema there in one form or another for 103 years), but why the ‘corner house’ building itself, the old Shaw’s furniture store which has become so iconic?

From my frustrated doldrums I tweeted this:


…and this:


The ‘pain’ in question actually referred to my clavicle surgery, but fellow tweeters seemed to sense something like the pain of alienation, and a hearty discussion ensued. Investigations were made into the mysteriously disappeared Grade II listed status of the two Cornerhouse buildings (I know I didn’t dream it, they were listed) and passionate back-and-forths were had about City Council building projects and neglected bits of Manchester architecture. A few hours later one of the tweeters started a petition which at the time of writing has 700 signatures.

Reading back over the original Evening News story it was the word ‘hotel’ that was my main trigger. It’s safe to say that word is my red rag. I lived on Whitworth Street for six years and every day I would pass the abandoned development at the corner of Whitworth and Princess Streets with its contrived yuppie imagery and condescending tone of entitlement and its empty useless scar across the only gay neighbourhood in the city. The hotel and apartments intended to go there have never materialised. Why not build something on it? Legends, the place I partied endlessly in my Whitworth Street years, was bulldozed with meagre resistance in order to build a hotel that has yet to appear (as if its presence could salve the wound anyway). Clubbing in the city hasn’t recovered. London Road Fire Station continues to frustrate and upset anyone who passes by and gives a damn about architecture. Why not do something with that? The old BBC site is a permanent open car park and an uglier space than even the reviled Piccadilly Gardens. Why not build your office/h*t*l complex there?

Let’s be clear. This is not about nostalgia for times past; it’s about demanding an interesting and beautiful future without the need for a scorched earth policy. Nostalgia is a pejorative if it consists only of the endless romanticisation of a thing. When Legends was set for demolition I published a zine named after my clubnight ‘Drunk At Vogue’, featuring articles and artwork protesting the closure. I took a classic Mancunian Situationist approach and wrote, somewhat hysterically:

‘LEGENDS is the mental labyrinth of your DESIRE….!
LEGENDS is one of the ONLY gay/queer spaces that survives outside the GATED COMMUNITY OF GAY PRIDE….!
Mainstream media vouch for the Twisted Wheel as A HISTORICAL MONUMENT and we DOFF OUR CAPS to the dance floor pioneers and the faithful who still believe… But what about ME AND YOU…!
WE ARE NOT ARCHIVES…! WE ARE NOT HISTORY…! WE ARE NOT CRUMBS…!
Every inch of queer Mancunian dance floor is a monument to NOW…!
WE WANT OUR HERITAGE TODAY…!
NOSTALGIA DID NOT SAVE THE HACIENDA…!
HOMOELECTRIC, NOT HOTELS…!
SAVE LEGENDS….!

This is what ‘nostalgia’ ought to be; a kind of anger, and an insistence in a future worth living in. Be ‘nostalgic’ for what you did yesterday, last week, this morning, so that you can keep on living and improving.

You may have heard about ‘The Storming’ already, again in the Manchester Evening News, where it was loosely conceived of as a ‘rave’ style event. This is only one part of the final picture. As we piece together the myriad components of ‘The Storming’, we actively draw on Manchester’s numerous identities, the complexity and diversity of its cultural past and present – clubs and music venues included – in order to celebrate, pay homage and energise the future; and yes, to party hard like Mancunians. As Sarah Perks from Cornerhouse says in the Evening News article:

‘Of course we all feel nostalgic about Cornerhouse closing its doors, but nostalgia only deals with the past and never with the future.’

‘The Storming’ will do things differently. The inspiration point for Humberto’s piece is ‘The Storming Of The Winter Palace’, a choreographed mass action that was staged in Petrograd in 1920 as a piece of ritual theatre which re-played the 1917 revolution in order to sanctify and celebrate its achievements. It wasn’t nostalgia, but a celebratory re-enactment of the recent victorious past that would invigorate a brilliant future for Russia; and the Council didn’t bulldoze the Winter Palace afterwards.




Tuesday, 26 April 2011

DJ Profile

Look at me, going all legit. This piece appeared in the 'City Life' supplement of the Manchester Evening News last week. Big thanks to Nathan for taking all the nerves out of it for me (and the eye bags too), it was actually FUN in the end ...