Back when I lived in Chorlton I rode the 86
bus every day, like you do, and there would always be this same handsome guy on
the bus and a look would always pass
between us. Nothing ever came of it. One day he started riding the bus with his
girlfriend. He always sat with his arm wrapped around her and he still gave me
a look but this one was sort of proprietorial, almost smug.
Meanwhile, back in the unreal world, I was a
clockwork-regular at HomoElectric. It was actually unthinkable to miss one of
their parties. We planned holidays and days off around them. It was the crown
jewel of a tiny clutch of unmissable nights that also included Club Suicide and
Chips With Everything. From there I was eventually taken to Electric Chair and
Mr Scruff, and when Scruff played his fantastic set at HomoElectric it was a
perfect full-circle of music and good times.
Anyway, I digress... Another regular at
HomoElectric at the time was a young, spindly Black queen; he was camp as anything,
exceptionally mouthy and brilliant. You could usually hear him coming a mile
off, except for this one night when I was just getting into the zone and I
backed into someone on the dancefloor. I turned round to say my apologies and
there was the queen, full on face-pashing with the hot guy from the number 86 bus. Bus guy looked at me with a mixture of guilt and discomfort, but I just
smiled and waved and kept on dancing. It was no big deal, it was a
total HomoElectric moment, and there were loads of them.
It was all electroclash round here in them
days. We saw My Robot Friend, WIT, Readers Wifes, plus a so-bad-it-was-actually-kinda-fun
PA from Siobhan of Bananarama/Shakespears Sister. She did her version of ‘White
Rabbit’ by Jefferson Airplane. Surreal. I might’ve worn a Blondie T shirt the first time I went there. One night I wore a bottle of poppers round my
neck on a shoelace. I think I’ve kept most of the amazing atrocities I showed
up in. There was a brief sweatband and rubber bracelet fetish. Then home-made
graffiti tops. Things went a bit Nu-Rave for a while too. There was lots of asymmetric
hair at one point and that amazing blonde lesbian who always danced in a sports
bra. Some guy did full face make-up in the toilets for me one time. It lasted
about twenty minutes out on the dancefloor.
I cringed at the name ‘HomoElectric’ at first.
I was only just out and I hated the word ‘Homo’. Now I only ever call it ‘Homo’. No cringe. I’ve
been out ten years and I’ve been dancing at HomoElectric for all of them. For a
time, HomoElectric was the best kept wide-open secret in town. One morning –
post-Homo at a late night gentlemen’s establishment – I met up with a DJ from
Essential who asked where I’d been for the night. I couldn’t believe he’d never
heard of HomoElectric. Sometimes you’d be shocked at who did know about the place, even though it was always rammed. (‘Oh my
god, you’re here...?’) I met my
first boyfriend and my new boyfriend in Legends. I still can’t believe they’re
letting it close.
There were so many good HomoElectric stories.
One night my then boyfriend leaned on a spotlight in a mesh shirt and had
grill-shaped burns on his back for weeks. It once took me five
minutes to walk the four steps down to the dancefloor because I thought the
shadows were holes in the ground. I think Davey Dobson got me to safety in the
end. Thanks Dave. When I moved into a flat just up the road from Legends, I
jogged home in the middle of the night more than once to get changed, or take a
shower, or replace a shirt that I’d lost. Seemed like a good idea at the time I guess. More than once I got home without any shoes on, one time even in the snow. Somebody piggybacked me. I’ve no idea who. I
remember the night everybody must have done their shopping at the same place. Everyone came up like billy-oh, they
were queuing up to explosive-puke on a pile of plastic chairs down one of the
corridors. We sat on the stairs laughing like goons and then we danced for five
hours without a rest. A couple of times on a Sunday you’d spot a familiar shirt
or dress out on the streets of the city centre. It would be somebody still pin-balling
to or from another party that was actually the tail-end of Friday’s
HomoElectric.
There was so much good music. It was an
education. Erol Alkan stripping everything down to brass tacks, including us. Ivan
Smagghe doing crunchy monochrome death-music in near-darkness. The majestic Mark
Moore, who I’m pretty sure shoe-horned ‘Song 2’ into some unbelievable mix or
other. Fischerspooner, Gwen Guthrie, Sebastien Tellier, Chaka Khan. The residents themselves were and are solid gold.
The rules of the rest of the city seemed to
perceptibly lift when you walked down
the steps into Legends for HomoElectric. The placed heaved with the ghosts of parties,
from the Twisted Wheel up to the leather bears down-and-dirty get-togethers. You
could often kiss your mates goodbye at the door, it was possible you might not
see them again that night but there were always new friends to be made. ‘You
can learn a lot more than you think about somebody on the dancefloor,’ a clever
woman once said.
All good things must come to an end though,
and they did. I remember dancing with Matt Rothery at the last closing party. ‘They’ll be talking about this for years to
come,’ we said. ‘And we werethere...!’
HomoElectric will live on, in Manchester some place, and London too, but nowhere
in the world will match HomoElectric the way Legends did, the way
Morecambe matches Wise, the way Fischer matches Spooner; not for spirit, not
for love, not for all those party ghosts... It’s all over now, baby blue. Play a song
for me, would you ...?
A few years ago I was resident at an 80s night at the now defunct Purple Pussycat. The venue was kind of raucous and fun. I’d gotten used to playing there and I wondered if I could pitch a night. I’d decided ‘Drunk At Vogue’ was the perfect name for a night the second I heard Carrie Bradshaw say it in Season 4 of ‘Sex and the City’. Also because of that show, and because it was one of my favourite songs as a kid, the now ubiquitous ‘Got To Be Real’ by Cheryl Lynn was the first song I put on the playlist. At the time, Horse Meat Disco threw intermittent parties at the Pussycat so I couldn’t pitch them a straight-up disco night. Instead I went for a ‘not dance music, just music for dancing’ vibe. The playlist was disco, 80s synth, vintage pop, electro, Italo. The idea was to treat dance tunes just like pop songs. Ronnie Dyson, Little Boots, Kid Creole, Chic, Eurythmics, Cristina… But the venue wasn’t into it, and the 80s night finished, and the venue closed down. Such is nightlife.
Soon after that I became resident at Off The Hook. After that night took a hiatus I decided to help resurrect it in a new venue, with a new vibe. It worked really well and we’re still going strong. Bolstered by that success I started yapping about Drunk At Vogue again. When I mentioned it to my friends Gary, Thom and James, they saw potential in it from the off. And not just musical potential either: videos, outfits, performance art, and a whole host of New York and Manchester references to play with. Suddenly there were four of us and the venue was obvious, Kraak; new home to Off The Hook, blank canvas, backstreet, away from the Village – but not too far – hard to find, sweaty.
You can spout all you like about what you want your night to be, but it doesn’t mean a thing until the place starts to fill. If it fills. What the punters play in their rooms before they show up, what they decide to wear, or not wear, the videos they post on your page the day before the party; these are all out of your hands, and they matter. Drunk At Vogue Party Number 1 filled up within the hour. The outfits were some of the best I’ve ever seen on a night out. Shoestring glamour and genderfuckery and fun and hot and funny. Larry Levan and Mai Tai and ‘The Boss’ and avante garde drag and Chris on the door in his underwear.
We threw a boat party on the Irwell this year. It was magic. Our ‘Gay Sex In The 70s Party’ for Pride weekend was our best night to date, and actually really emotional. We’ve set the bar pretty high for our first birthday. It’s on October 5th. Everyone is welcome. You might be surprised that something like this is happening here in Manchester. So come and see us. I’m never sure where all the amazing punters come from. But there they are.
Legends is going to shut soon. We didn’t win that one. We have to invest elsewhere in the city. Manchester is changing faster than ever and it sometimes feels they like don’t want you to keep dancing, but you have to keep moving…
My friend Anthony and I run a little gay R‘n’B night here in Manchester called ‘Off The Hook’. Out and about one evening, plastering the Gay Village with flyers depicting a beautiful butched-up Kelis, I approached the barman in one of Canal Street’s less salubrious dens to ask if I might display a poster in the bar. The worried lad went to fetch his manager who studied the offending item. ‘We won’t have anything to do with R‘n’B,’ he told me in no uncertain terms, sliding the beer-sodden Kelis back across the bar.
Shortly after hearing this confusing ‘policy’, a couple of DJs I admire took to publicly knocking R‘n’B music. I would hazard a guess that ‘trance’ and ‘death metal’ aren’t riding high in their iTunes playlists either but for whatever reason they were spared.
Back in the day, ‘disco’ was the ultimate curse word when it came to musical critique but in the time-honoured camp tradition of treating frivolous things with deathly sincerity, disco is now a serious business. Promoters who until recently denounced certain crowds as ‘disco dollies’ are now proudly splashing the d-word across their flyers. R‘n’B has become a musical punchbag in its place.
A multi-million dollar industry doesn’t need me to fight its corner of course, but if we’re talking cash it seems R‘n’B is the final remnant of the pop world where the pink pound isn’t shamelessly courted. Not to knock Gaga but I much prefer Cookie Crew’s ‘Born This Way’ to hers. That’s part of the pleasure. It’s like the good old days where you could find things with ‘gay appeal’ that weren’t strictly speaking meant for you. It’s a relief not to be fed with a big pink spoon for a change. Kelis may have played Manchester Pride but she doesn’t seem to much care what kind of boys she brings to the yard, so long as they come.
Queer people seem to respond to a sexy dichotomy of camp and butch-femme that rules the roost in the R‘n’B world. After watching Beyonce tear Glastonbury a proverbial new one this year, I emerged from the swamp to find the rest of world in agreement: Beyonce, not Lady Gaga, is First Lady of Pop. If you don’t like R‘n’B, just let it be. As for me, next time I drop Destiny’s or Sunshine Anderson or Adina Howard and that whoop and holler goes up from the crowd, I’ll still be hooked.
DJing went a bit quiet during my writerly hibernation but I'm back with a vengeance, eight gigs lined up for the coming months, kicking off this Saturday (that's tomorrow!) with Off The Hook throwing the closing party for the Contact Theatre's Queer season. What an honour, and such a cool space to play, very different to our usual sweaty basement shenanigans. For the uninitiated we play quality Black pop music from across the decades, this means hip-hop and r 'n' b, with a smattering of disco, Motown, reggae, ragga, Hi-NRG and ska.
Here's a rundown of some Off The Hook floor-fillers ...
'Shy Guy' - Diana King
'Jayou' - Jurassic 5
'No Scrubs' - TLC
'Mama Said Knock You Out' - LL Cool J
'Mr Wendal' - Arrested Development
'Dare Me' - Pointer Sisters
'None Of Your Business' - Salt N Pepa
'Informer' - Snow
'It's A Shame (My Sister)' - Monie Love
'Miss You Much' - Janet Jackson
We might even play the theme tune to 'Fresh Prince Of Bel-Air'