Showing posts with label library theatre. Show all posts
Showing posts with label library theatre. Show all posts

Friday, 31 January 2014

Away From Home, re:play festival 2014


This relentlessly energetic one-man play is less My Beautiful Launderette meets the Premier League, more Alan Bennett’s Talking Heads on speed.

The subject is homosexuality and football, a topic dramatised by Kyle (Rob Ward) who leads a peculiar but normalised life as an out-of-the-closet football devotee and secret gay sex worker. When a famous opponent player turns out to be a new client, Kyle’s carefully controlled life begins to tilt out of his control.

Theatre on social ‘issues’ is too often toe-curlingly earnest but Ward carries Away From Home with enormous presence, Scouse charm, unapologetic language and a dose of well-observed humour. Don’t let the ‘one man’ performance fool you, the stage is peopled with secondary characters that are brought to life only through Ward’s dynamic telling.

If the script is occasionally a little baggy it doesn’t hamper the performance and there are genuinely exhilarating moments. When Kyle sees his lover in a nightclub draped over an attractive would-be WAG he drunkenly hurls a well-known chant from the stands in his direction, now riddled with convoluted meaning: Who are ya? Who are ya? It’s a terrific moment and should have been the title of the play.

Ward misses neither a beat nor a line, devouring the set as he relays his unlikely tale to an unseen lover and by proxy to us.

No spoilers, but as in life there are no neat resolutions, and still no footballers out of the closet. Let’s hope when the real thing happens there’s a lot less drama.


There are two performances tomorrow,Saturday 1st of February, tickets here.






Wednesday, 29 January 2014

All Our Friends Are Dead, re:play festival 2014

At this year’s re:play festival, comedy pair Katie Norris and Sinead Parker continue their occasionally macabre and wilfully tasteless sketch ‘n’ song showcase ‘All Our Friends Are Dead’, as seen at the Edinburgh Fringe and elsewhere. Political correctness is ditched (seriously, nothing and nobody is out of bounds) in favour of jaw-dropping ‘you can’t say that’ moments driven by the twosome’s strong character-based comedy – think Little Britain rather than Mel and Sue.

Amongst audience favourites are corrupt versions of Disney songs, less ‘bastardised’ and more ‘made orphans of’. For instance, contrived individualism (‘I’m reading Sylvia Plath actually, but in Japanese…’) and gimmicky personality add-ons (‘Can I have a latte, and can you write my name in the foam please…’) are hilariously pulled apart in ‘Everybody Wants To Be  A Twat’. I’m still singing it now.

At this point Norris and Parker’s formidable performance skills are a small step ahead of their writing but the pace is so rollicking and the material so broad that if you don’t like one sketch there’s another one just around the corner with your name on it.

I am personally recovering from exposure to the funny/bleak persona of Brian, with his carton of juice, urine-stained trousers, and tiny wife in the attic with nothing but a hotline to Domino’s and a rocking chair to keep her company. Until now… Single to Royston Vasey please…