Showing posts with label gay. Show all posts
Showing posts with label gay. Show all posts

Sunday, 31 January 2016

Queer Contact 2016


Gender isn’t a exactly new frontier for queer people, it’s always been a frontier. The law that got to be too damn much at Stonewall – as we should know by now but as Laverne reminds us – was that all patrons must wear three items of clothing ‘appropriate to their gender’ otherwise the police would crack skulls.

Gender and its multiple expressions are deep in the heart of queer history and art. It wasn’t long ago that homosexuality / drag / transgenderism were talked about as a continuum of expression. You encounter it in contemporary accounts of the Stonewall era, right up to Paris is Burning. The scare queens, butches and femme queens of yesteryear might not necessarily connote cis or trans precisely the way we think of those terms today. Our connections to one another as queer people of all genders are deep and abiding and vital.

Timely as ever, this year’s Queer Contact Festival puts together a broad and exciting programme where gender is frequently at the artistic frontier. Transparent has been one of the most radically queer mainstream shows ever created, winning dozens of awards as it interrogates ideas about sexuality, history and identity. It’s something of a coup that one of the writers and series advisors, Our Lady J, is appearing at Queer Contact 2016. Her original musical show ‘For the Love of Gospel’ will help demonstrate why she has worked with everyone from Sia to Debbie Harry, via Antony Hegarty, Lady Gaga, Cyndi Lauper and Scissor Sisters.

Next, from high-femme to bold and butch, Eilidh Macaskill’s ‘STUD’ puts a queer woman’s perspective on the traditional gender binary as she performs a series of hyper-masculine tropes, exercising her ‘penis envy’ with full comedy intact.

For a more local perspective on the performance of gender, Jez Dolan and Chris Hoyle’s ‘Life’s A Drag’ is the beginning of a year-long project that celebrates Manchester’s drag culture and its deep roots with performance, oral history and maybe even some participation, so get your foundation right.

If the Pet Shop Boys are ‘The Smiths you can dance to’, Erasure are the Pet Shop Boys you can really camp it up to. Singer Andy Bell’s Contact show will take him on a somewhat different route as he explores the vexed polysexual character of ‘Saint Torsten’ through a song-cycle written especially for him and lately performed at Edinburgh Fringe. It’s a chance to see and hear a legendary gay pop voice as never before.

Another Queer Contact highlight is the return of Debs Gatenby, star of the much-loved Hi, Anxiety, whose new solo show looks at those journeys, inside and out, in search of ‘A Place Called Happiness’.

A dose of raw comedy can be had in the Comedy Playground where seven stand-ups battle it out for your love and lolz, including Bethany Black of Cucumber/Banana fame, Suzi Ruffell from telly and a familiar flamboyant host...

As for me, I’ll be throwing a Queer Contact launch party in the shape of A Queer Revue! at Band on the Wall, featuring international and local trans, gay, lesbian and queer talent, including contemporary dance, singing drag queens, Kate Bush and Bowie tributes, poetry, pop videos, comedy and a big old party afterwards.

As for the rest of the programme, you can tuck into the full listings here, or use my handy taster guide below…!





















Stonewall, and Stonewall by Roland Emmerich


To be honest I could barely get to the end of the trailer for Stonewall by Roland Emmerich. Instead, I’d encourage everyone to watch the Marsha P. Johnson documentary, ‘Pay It No Mind’, and Sylvia Rivera’s 1973 speech at Washington Square before you see Stonewall (or instead of). The Stonewall rebellion was so much by and about queer and gender non-conforming people of colour that to fictionalise a white male lead in a film about it seems like it can only possibly have been done at their expense. Why? Presumably to make the story more ‘palatable’ – and by palatable we mean suitable for Hollywood, and quite possibly the Oscars. Well, screw being palatable. Stonewall has been co-opted and whitewashed enough. Example: the Stonewall charity was founded in 1989 and only this year officially put trans rights on its agenda. Enough.

As a secondary point, it’s interesting (as a long-time Stonewall student) reading the think-pieces that have accompanied the kickback against the film. Various critics attempt to present as hard fact what cannot actually be proven about the Stonewall uprising, thus offering their own kind of historical re-write with a well-intentioned agenda. Sylvia Rivera moves to the forefront of the newest Stonewall narrative while the film itself apparently chooses to focus on Raymond Castro with a cameo possibly from a Marsha P. Johnson-esque character, while names like Marilyn Fowler, Jackie Hormona, Zazu Nova, Wolfgang Podoloski, Stormé Delarverie and Tammy Novak begin to fade away from the narrative – and as for the butch dyke (or possibly trans man) who was the first to escape arrest, she’s in the film, but people still wonder if she existed at all. This is the nature of Stonewall.

Most Stonewall historians have at some point had to disavow to some degree their principal sources of evidence. Everybody wants to have been there, thrown the first bottle or punch, and who wouldn’t? People fought hard, but not necessarily in the order we might think. I feel strongly in my heart that of all people, Marsha P. Johnson never spoke a dishonest word about anyone and that nobody had reason to speak one about her. Marsha was at Stonewall the first night (though if it was for her birthday she was celebrating early; she was born August not June), but how grieved might everyone be if it were more widely known that Marsha had described how, on the first night of fighting, she had frantically searched for her friend Sylvia Rivera, knowing that Sylvia would want to be involved, and had apparently found her asleep in Bryant Park, possibly homeless and perhaps using heroin. Sylvia couldn’t have thrown the first bottle from there, of course. Sylvia was with Marsha the second night of the fighting, with courage blazing, and subsequently devoted her life, her energy, her health to a movement for equality, or ‘power’ as she always called it, often living homeless and struggling with drink, always helping others, much the same as Marsha who would famously give you her last dollar – and it really would be her last. How are saints like this not fit for lead roles?



Tuesday, 20 January 2015

Queer Contact, Queer Media, Queer February!

In February I am honoured to be speaking at a panel event which is part of a larger media event which is part of the one of the most exciting festivals happening in Manchester this year. It’s Queer Contact, and the line-up is so good it makes you wish it was actually Pride and that there was a parade at the start.

From the 5th to the 15th a plethora of queer arts comes to Contact and beyond with a program of music, theatre, performance, comedy and more.

National treasure David McAlmont launches proceedings with a live performance on the 5th, alongside the talented Mr Guy Davies, which, from experience, I can promise will be intimate, fun and very touching.

Justin Vivian Bond is another sensational name on the bill and is in town for not one but two performances, including a collaboration with our very own David Hoyle. Bond is a trans icon of cabaret and is here to share Valentine’s weekend with us, using both original songs and familiar cover versions to interrogate and celebrate love. Expect to be stimulated and moved. On top of that there is a related JVB event with a screening of Shortbus and a Q&A to follow.

The Queer Media Festival is a highlight for me. Almost thirty media professionals (and me!) will gather to talk about storytelling, their work, their identities and career paths. There will be films screened, performances, a news broadcast, and a gathering of like-minded but diverse creative individuals under one roof. The event is promising to be a great opportunity for students, for peer-learning and networking, for idea generating, for meeting and greeting, and for exposure to new ways of thinking. Speakers include V-Squared aka Vinny and Luke (YouTube stars), John Bird Media (blogger), Tim Macavoy (Director at InterTech Diversity Forum), Anna McNay (arts editor, DIVA), Paul Brand (Northern Political Correspondent, ITV) and Addie Orfila (producer, Hollyoaks). Tickets here.


Queer Contact has comedy covered with a six-comic line-up for the Comedy Playground, while word nerds will thrill at the selection of poets, novelists and playwrights sharing their practices at Paul Burston’s Polari on the 10th. Kate O’Donnell explores trans identity with humour and music, while site specific drama takes a police raid on a Victorian drag ball as its thrilling subject. The Vogue Ball at Gorilla sees competing Houses dance to victory, or defeat, while Mother’s Ruin host one of their far-from-usual cabaret spectaculars. The closing party, Love Art, is in the hands of the creators of Cha Cha Boudoir so couldn’t be in better hands.


Explore the full line-up for yourself right here and treat yourself to something new and challenging. There will be queer bohemia aplenty at Contact, but all across the city February is turning into a high point in the cultural calendar – Seeing Queerly has a terrific line up, while the first Manchester-based LGBT History Festival provides the context for how far LGBT people have come. February is a chance to learn and connect, network and create, and be touched by art and performance. Please be a part of it. The rest of 2015 has a lot to live up to…





Tuesday, 9 December 2014

My talk from The Queer Forum #2 on 7 December 2014

The Queer Forum is an event that I co-host in Manchester in which people who identify as Queer/LGBT can come and talk to an audience for fifteen minutes or so about anything they like. People have spoken about ACT-UP New York, about their intersectional identity, about life modelling, about dementia, about erotic art and more besides. We also show very short films and we meet new people and we are hoping this event will grow. We are mainly all about the love. At the second Queer Forum event I thought it only right that I give a talk too, rather than just encouraging others to talk, so I wrote this to talk about the very confusing but enlightening year I have had, and some opinions and hopes and some personal anecdotes. I finished by reading an extract from Andrew Holleran's novel Dancer From The Dance which I can't reproduce here but which I recommend everyone reads. Here is my talk:


My name is Greg. I’ve lived in Manchester for eighteen years. I came to University here. I used to work in advertising and publishing. I’m now a freelance writer, a DJ and a club promoter. I’m also an event organiser. I also copyedit academic books and write fiction and reviews. I also do research and writing for artists and art institutions, and for the last six years I’ve written a blog about all of this stuff, and more stuff besides. I am a bit of a jack of all trades, which has as many drawbacks as benefits, but for that reason, and because I enjoy analysis more than conclusion, my talk today, given partly in homage to James McCourt’s book Queer Street, is anecdotal and personal and has several themes and is entitled:

‘Where I am and what I’ve learned and am learning as a queer gay man in the twenty first century’

I am 36 years old. Twelve years I stopped eating meat. Two years ago I got rid of my television and stopped buying newspapers. I am from a working class family who are now middle class because they have a car each, and I am middle class too because I’ve been to University twice and I work in the arts, even though I sometimes struggle to make the rent. I am, like many people, trying to work out what it is that makes me tick, what it is I should do, how to be good, how to be happy, how to contribute.


The Projects
This summer I had a cycling accident. I spent some time in hospital, far from home and delirious with morphine. At one point I thought I could speak Maltese. I had lots of time to think. In the last couple of years, two amazing people who I was lucky enough to know both died very young. Because of these experiences I have decided that if something should happen to me, I don’t ever want to have to say that I regret not doing x, y and z. So instead I have made a list entitled ‘The Projects’, describing all the things that I think I might want to accomplish. Some of them have been long-standing, others are accidental ambitions and are already underway, such as creating a club night, becoming a DJ, getting paid to write, hosting an event like The Queer Forum; some I haven’t tried yet, like stand-up comedy or staging a play; some might never happen at all, like getting my novel published… I just don’t want to have regrets.


Learning about social justice
A lot of my work and my life happens online. I am an enthusiastic user of Twitter and Tumblr and online writing, one of the main reasons being that it keeps me politically conscious and cuts out media bias when listening to other people’s voices. Here are 5 things I am learning online from social justice activists:
1. Racism has never gone away, it has only changed shape as society has changed shape. Capitalism needs racism.
2. The politics of, ‘We will come back for you’ doesn’t work. ‘When we get full marriage rights as gender conforming gay people, and we can adopt children, and we have equal everything else, we promise will make sure that everyone gets the same rights and protection too. We will come back for you.’ It doesn’t work.
3. Learning about your own privilege is vital and enlightening, but how do you use that awareness to help and make a difference? You need to find out.
4. There is an epidemic of violence happening against women worldwide and against poor trans women of colour especially. It isn’t going away.
5.  Social justice doesn’t mean a thing if there’s no clean air to breathe and your town floods and the ocean is poisoned.



Having therapy

When I was 24 I spent a year having therapy. My counsellor was a young lesbian and the message I left on her answering machine, long since erased, was the first time that I had ever said out loud the words, ‘I am gay’. In our first session she asked me to describe what I would like to work through in my therapy. I told her that:
1. I need to deal with the fact my Dad left, and:
2. I’m gay and I don’t want to be gay.
A year later anyone who mattered in my life knew that I was gay. My therapist once said to me, ‘As a lesbian, my sexuality is central to who I am and how I live, and at the same time it’s of absolutely no consequence.’ I had no idea what she meant at the time, but now I do. Everyone should get some therapy.


Why I don’t think Alan Turing should have been pardoned
Alan Turing was a bona fide genius with a singular mind who should have lived a long and productive life, excelling in his many fields. Instead of being allowed to meet this extraordinary potential, he met a guy outside The Dancehouse Theatre on Oxford Road in December 1951 and three months later the two of them were facing prosecution for gross indecency. A little over two years after that, Alan killed himself. A popular campaign succeeded in gaining a Royal pardon for Turing one year ago for the crime of gross indecency. I think this act pardons the State of responsibility for what it did to Alan Turing, rather than pardoning Turing himself. Alan didn’t need a pardon because he never did anything wrong in the first place. If he hadn’t been of use to the State there would have been no petition to start with. The original petition read, ‘This may act as an apology to many of the other gay men, not as well-known as Alan Turing, who were subjected to these laws.’ I strongly disagree. Turing’s usefulness to the State singles him out from the countless prosecuted and silenced men who suffered the same fate. I would be so angry to learn that a grandfather of mine had jumped off a bridge for the same reason but wasn’t deemed fit to be pardoned. In December 1952 Alan Turing was a criminal, the State should wear its shame for making him one. If only useful homosexuals get pardoned, I don’t want to be useful.


Having a partner
In 2011 I saw a movie called Weekend. The set design and cinematography of the film was based on the work of a pair of photographers working under the name Quinnford and Scout. Their work set the visual tone of the film and they were also invited to do the set photography, eventually resulting in the film poster image which graces the walls of so many gay men’s bedrooms. The film had a big impact on me, one that I was not ready to deal with. I had decided at some point to no longer make emotional commitments to anyone and for the first few weeks of the film’s release, various gay men, about six of them, with whom I had had some kind of relationship in the preceding years, each messaged me to find out if I had seen the film, and if not they urged me to do so right away as there was a lesson in it that I sorely needed to learn. They were mostly not very kind about it, but I knew exactly what they meant. So, because of the film, I decided to make a change and open my mind to at least the possibility of a relationship, maybe some time in the future. Not long after I made this decision I met a guy named Oisín Share who was one half of the photography duo Quinnford and Scout who had worked on the movie. In March we will have been together for three years. There is a strange synchronicity sometimes to life.


Am I gay or am I queer?
I am very attached to the political, social and cultural history of men who have identified as gay but when I look at anything that is labelled as gay culture today, I feel alienated. My body is wrong, my politics are wrong, I can’t afford anything they advertise, I don’t want anything they advertise, everything is badly designed and nobody wants to talk about books. Thinking queerly helps me to square all of this. Thinking queerly is a way to critique not just gay culture, but all culture, society, capitalism. When I find gay culture threatening or trivial, queer culture says to me to take what I like, give what I can, be something better. Gay is what I am, but queer I think is something closer to who I am.


Thank you.