Friday, 28 February 2014

Time for a change: Part 1


I am writing this blog post in a lovely café in Dublin. It is a Friday afternoon. There is nowhere else I should be at this moment. How did I get here? Let’s find out…

Symptoms I’ve been bothered with in the last few years that my doctors potentially attributed to stress:

Insomnia
Nightmares
Hyperactivity
Inactivity
Reduced attention span
Bad temper
Recurring sore throat
Strep throat
Chest infection
Skin infection
Dermatitis
Eye infection
Post-viral bronchial hypersensitivity
Nasal drip
Globus sensation
Beard alopecia
... and hypochondria

Things that have made me stressed at various times in the last few years:

Money worries (twenty years of…)
Feeling lonely
Feeling antisocial
Being too bored
Being too busy
Being both at the same time
Feeling overstretched
Feeling like an underachiever
Not knowing what I want to do when I grow up (except be a writer which hasn’t really worked out…)

These circumstances were, to put it mildly, unsustainable, so I decided to make a positive step towards change. If this post starts to read like a self-help book; good, that’s what I want. I read one of those things for the first time recently and it was the absolute worst kind of tosh. I can do better. I think only people who are unsuccessful should write them anyway, that’s much more fun.

I was having no luck with the conventional method of looking for a new job (let alone any enjoyable or rewarding employment). By ‘no luck’ I mean literally no response at all to dozens of applications over several years, and certainly no interviews. On the day I went to collect my Masters certificate I did the sensible thing graduates should so and I spoke to a careers advisor. I was something of an unknown quantity: in my mid-thirties, working in publishing, minor advertising experience, DJing and event hosting on the side as a poorly-paid but successful labour of love, but ultimately craving to make my living as a writer. The advisor was honest. ‘I don’t know much about this whole world you’re in, really,’ he admitted, referring to the ‘jack of all trades’ banter I had given him. ‘But it strikes me that hosting the launch party for an international festival should probably be on the first page of your CV and not under ‘Other achievements’.

In the end I came away from the meeting with two important ideas in my head:

1.     I should have a skills-based CV, not a regular employment CV. (I’d never heard of a skills-based CV before).

2.     I should stop looking for a job, and start looking for work.

The idea of freelancing presented itself, and there followed a series of happy and fortunately-timed events that brought the possibility closer to reality:

I finished paying for my MA.

I finished paying for my BA (fourteen years after graduation).

I moved in with my partner after living alone for six years.

My bank loan was due its annual holiday.

My partner gave up freelancing and took a full-time position worthy of his talents.

Crucially though, the fear of whether I could make a go of life as a freelancer was outweighed by the stress of carrying on as I was. We had already booked to spend Christmas in Melbourne. Figuring there was no better way to book-end a big life change than by going to the other side of the world, I gave notice on the job that I had said yes to in April 2001, and packed my suitcase.



Monday, 10 February 2014

Nordica


When it became apparent that half the music I was listening to originated from the Nordic countries (Sweden, Iceland, Norway, Denmark, Finland) I decided to make a proper playlist of my favourite songs from that part of the world because I’m organised and because I’m an anorak. Confession: Husky Rescue had passed me by until just now and are the only Finnish entry but I will now embark on a stint of Finnish music (recommendations?). The list is two hours long and has a very extensive range of sounds and some of it is old and some is very new but I think each and every song is genuinely outstanding in its way.


Naomi Pilgrim


Hanne Kolstø – One plus one makes one out of two (NOR)
Jonas Alaska – In The Backseat (NOR)
Frida Hyvönen – Terribly Dark (SWE)
MØ – Pilgrim (DEN)
Robyn – Dancehall Queen (SWE)
Lemaitre – Continuum (NOR)
The Cardigans – Fine (SWE)
Kaja Gunnufsen – Au (NOR)
Sigur Rós – Ísjaki (ICE)
Emilie Nicolas – Pstereo (NOR)
When Saints Go Machine –Mental Shopping Spree (DEN)
Here Is Your Temple – So High (SWE)
Ine Hoem – When We Collide (NOR)
Naomi Pilgrim – No Gun (SWE)
Abidaz and Robyn – Nitti5 (SWE)
Husky Rescue – Sunrider (FIN)
Lykke Li – Breaking It Up (SWE)
Jenny Wilson – Autobiography (SWE)
Annie – Chewing Gum (NOR)
Kashmir – Miss You (Slight Return) (DEN)
Ane Brun – Do You Remember (NOR)
Shout Out Louds – Illusions (Prins Thomas Diskomiks) (SWE, NOR)
Oh Land – White Nights (DEN)
The Concretes – You Can't Hurry Love (SWE)
Björk – Who Is It - Bell Choir Mix (ICE)
Choir Of Young Believers – Action/Reaction (DEN)
Susanne Sundfør – Walls (NOR)
Winhill/Losehill – I Leave You 'Cause I Don't Care (SWE)
Lindstrøm and Todd Terje – Lanzarote (NOR)
Abba – When All Is Said And Done (SWE)


Friday, 31 January 2014

Away From Home, re:play festival 2014


This relentlessly energetic one-man play is less My Beautiful Launderette meets the Premier League, more Alan Bennett’s Talking Heads on speed.

The subject is homosexuality and football, a topic dramatised by Kyle (Rob Ward) who leads a peculiar but normalised life as an out-of-the-closet football devotee and secret gay sex worker. When a famous opponent player turns out to be a new client, Kyle’s carefully controlled life begins to tilt out of his control.

Theatre on social ‘issues’ is too often toe-curlingly earnest but Ward carries Away From Home with enormous presence, Scouse charm, unapologetic language and a dose of well-observed humour. Don’t let the ‘one man’ performance fool you, the stage is peopled with secondary characters that are brought to life only through Ward’s dynamic telling.

If the script is occasionally a little baggy it doesn’t hamper the performance and there are genuinely exhilarating moments. When Kyle sees his lover in a nightclub draped over an attractive would-be WAG he drunkenly hurls a well-known chant from the stands in his direction, now riddled with convoluted meaning: Who are ya? Who are ya? It’s a terrific moment and should have been the title of the play.

Ward misses neither a beat nor a line, devouring the set as he relays his unlikely tale to an unseen lover and by proxy to us.

No spoilers, but as in life there are no neat resolutions, and still no footballers out of the closet. Let’s hope when the real thing happens there’s a lot less drama.


There are two performances tomorrow,Saturday 1st of February, tickets here.






Wednesday, 29 January 2014

All Our Friends Are Dead, re:play festival 2014

At this year’s re:play festival, comedy pair Katie Norris and Sinead Parker continue their occasionally macabre and wilfully tasteless sketch ‘n’ song showcase ‘All Our Friends Are Dead’, as seen at the Edinburgh Fringe and elsewhere. Political correctness is ditched (seriously, nothing and nobody is out of bounds) in favour of jaw-dropping ‘you can’t say that’ moments driven by the twosome’s strong character-based comedy – think Little Britain rather than Mel and Sue.

Amongst audience favourites are corrupt versions of Disney songs, less ‘bastardised’ and more ‘made orphans of’. For instance, contrived individualism (‘I’m reading Sylvia Plath actually, but in Japanese…’) and gimmicky personality add-ons (‘Can I have a latte, and can you write my name in the foam please…’) are hilariously pulled apart in ‘Everybody Wants To Be  A Twat’. I’m still singing it now.

At this point Norris and Parker’s formidable performance skills are a small step ahead of their writing but the pace is so rollicking and the material so broad that if you don’t like one sketch there’s another one just around the corner with your name on it.

I am personally recovering from exposure to the funny/bleak persona of Brian, with his carton of juice, urine-stained trousers, and tiny wife in the attic with nothing but a hotline to Domino’s and a rocking chair to keep her company. Until now… Single to Royston Vasey please…



Tuesday, 28 January 2014

‘Please sign and share’: Is it possible to sign a petition every day…?


Log onto Facebook and Twitter in the morning and one of the first things you’ll usually see is a request to sign a petition. Amnesty, All Out, Avaaz ... Homophobia in the Olympics, a venue threatening to close, ‘Margaret Thatcher Day’: the Internet wants your signature (well, your name and your fake address anyway...).

Some fear that internet activism is replacing the real thing. Just as likely is that it's facilitating nation-wide mobilisations too. Either way, this is the age of the petition and it’s time to get seriously involved. So, from tomorrow onwards I'm going to seriously consider every petition I come across (even more so than usual...) then I'll sign it if I agree strongly enough and Tweet it with this hashtag:

#apetitionaday

Let’s see how it long lasts. Please sign and share.


Monday, 27 January 2014

Re:play Festival 2014


The seventh (already!) re:play festival returns with gusto to The Lowry. The festival’s remit is to showcase a retrospective of the best new/fringe/cutting-edge theatre from the previous twelve months across the region. Variety is the festival’s strong point – this year’s output of fresh stage material deals with a range of issues including asylum seekers, social media dependence and homosexuality in sport, as well as staging bold new sketch comedy and an Anthony Burgess adaptation.



All Our Friends Are Dead stars comedy duo Katie Norris and Sinead Parker, riding high from an Edinburgh Fringe success with their troubling comedy sketch pieces. I last saw Katie in a wonderful turn as Olivia for a very accomplished production of Twelfth Night at the Manchester School of Theatre. I asked Katie: What’s harder, comedy or 'serious' drama?

Comedy and tragedy often merge and doing either of them well is a challenge, but there's nothing more rewarding and immediate than making an audience laugh.

Do you worry that having your comedy described as ‘dark’ might frighten people away, or do audiences have a real taste for the macabre these days?

A lot of our favourite comedy is dark, but we also strongly believe our show has something for everyone. Sometimes it is dark and a little sinister, but our main inspirations are like that, such as League of Gentlemen and Julia Davis. Most people naturally find humour in dark places because it's a coping mechanism, and that's why we do it too, it’s like therapy!

Which of the other shows at this year’s re:play are you interested in seeing/would you recommend?

We’re looking forward to seeing Away From Home. We heard such fantastic things from its run at 24/7 over the summer!




Re:play is running right now, check their website here.